Heidegger, Art, and Postmodernity by Iain D. Thomson

Heidegger, Art, and Postmodernity



Download Heidegger, Art, and Postmodernity




Heidegger, Art, and Postmodernity Iain D. Thomson
Language: English
Page: 267
Format: pdf
ISBN: 1107001501, 9781107001503
Publisher: Cambridge University Press

"Heidegger, Art, and Postmodernity is a fascinating, engaging, and deeply insightful book that will have a revolutionary impact on the understanding of Heidegger's later thought, as well as make important contributions to our understanding of postmodernism, not just in philosophy, but in culture studies more broadly. Thomson's central thesis is that Heidegger's later thought is animated by the development of a distinctively postmodern sensibility. The sense in which his thought is postmodern, however, does not conform to the standard conceptions of postmodernism regnant in current literature. Rather, Heidegger's postmodernism lies in his sense that the late modern technologised epoch in which we live hides within itself the possibility of 'another god', a paradigm shift that takes us beyond the modern into a future we cannot yet envision." --William Blattner, Georgetown University


"Iain Thomson has a real knack for getting Heidegger to speak to contemporary concerns. Against the background of Thomson's pathbreaking interpretation of Heidegger's idea of 'ontotheology', the essays in this volume illuminate a sense of 'postmodernity' that responds to the nihilism of modernity's technological paradigm without falling into nostalgia for a single meaning of being. The resulting pluralism is adroitly explored through examples from high art and popular culture in ways that make Heidegger's difficult late works come alive." --Steven Crowell, Rice Universityy


"I learned a lot from Iain Thomson's book. He has a masterful grasp of the diverse art forms he discusses and he writes about even the most obscure thinkers with verve and clarity. One can trust his critical evaluations, especially his appreciation of the ontological pluralism that stands at the center of Heidegger's hope for a postmodern understanding of being." --Hubert L. Dreyfus, Professor of Philosophy, Graduate School, University of California, Berkeley


'Heidegger is the focal point of the history of continental philosophy. He gathers together the movements before him -- transcendental idealism, existentialism, phenomenology, hermeneutics -- and profoundly influences those that follow -- post-structuralism, the Frankfurt school, postmodernism. It is the last of these that Iain Thomson writes about in his excellent new book, Heidegger, Art, and Postmodernity, using the topic of art to mutually illuminate Heidegger's later writings and postmodernity. ...I find works like this extremely heartening. Thomson's explanations of Heidegger's difficult later works are unfailingly clear, carefully laying out the arguments and explaining all technical terms. Furthermore, the book's organization guides the reader so smoothly through the steps of his discussion that it should make knee-jerk objections about Heideggerian obscurantism much harder to make. ..After reading his book, I now see some of Heidegger's ideas and writings in a new light. ...By inspiring and drawing out new ideas, Iain Thomson's book takes its rightful place along with Julian Young's excellent Heidegger's Philosophy of Art as an important piece of scholarship on this topic. In keeping with its own precepts, it does not definitively settle Heidegger's views on this topic once and for all but, like a work of art, opens up new questions and pathways for thought.' ----Lee Braver, Notre Dame Philosophical Reviews


"As a self-professed philosophical coyote, Iain Thomson resists any attempt to place him on either side of the analytic-continental divide, preferring instead to steal back and forth between these rival camps.. Had Thomson been writing books like this thirty years ago, I suspect that we philosophers would all be a bit more coyote-like than we are today. Although Heidegger, Art, and Postmodernity is not the first clearly written, accessible study of Heidegger, or even Heidegger's philosophy of art, it is certainly about the best...Thomson's interests are wide-ranging and infectious, and...Thomson's hermeneutical prowess enables him to shuttle back and forth between highbrow philosophy and lowbrow culture (Nietzsche and comic books, for instance) without treating his subject matter with either unwanted reverence or condescension...It is his discussion of Heidegger's theory of art, the great 'saving power' for our destitute age, which particularly marks Heidegger, Art, and Postmodernity as such a significant contribution to Heidegger scholarship...Thomson makes a persuasive case that the phenomenological interpretation of van Gogh's 1886 painting, A Pair of Shoes, is the more important section of this text precisely because it performs, before our eyes, the immanent transcendence of aesthetic experience...His interpretation does help resolve some long-standing controversies within Heidegger scholarship (about what Heidegger meant by "the nothing," for instance), while also deflating the charges leveled against Heidegger himself by Meyer Schapiro...Whether or not Thomson's reading ultimately convinces others, it will certainly be impossible for future Heidegger scholars to ignore...This book should rival Young's as the best work yet on Heidegger's philosophy of art, with a few added chapters thrown in to ensure that it resists easy summary, offering greater riches than its title suggests." -Jonathan Salem-Wiseman, The Journal of Aesthetics and Art Criticism
Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. This book provides a clear philosophical account of what postmodernity meant for Heidegger and examines several postmodern works of art from a post-Heideggerian perspective. MORE EBOOKS:
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